Playwright
My work uses theatrical devices such as monologue, song, humor, greek choruses, and ghosts to tell familiar stories--especially women's stories--through an imaginative and truthful lens. My goal for my plays are to conceive of a world that people want to live in and believe in enough that they are inspired to take action to make their own world better.
Full-Length Plays

- The Yellow Wallpaper, Blank Stage Theater, 2017
- The Twelfth Story, Annex Theatre, 2016
- Me vs. My Subconscious (Dreamcatcher Repertory Theatre [2020] Blank Stage Theater [2013]; sections performed at Key City Public Theatre [2011], Annex Theatre's Spin the Bottle, and Stone Soup Theatre [2012])
- My Grandmother's Christian Funeral (Reading at Freehold New Plays Festival, 2004)
Short Plays
- Girl Anachronism (part of Cowgirls Splintered, Fractured, Broke at Fringe Month at the Pocket, 2016)
- Introduction to Experiences (The Metronome Society's Self-Titled: a live (theatrical) mix tape), 2015)
- In a Perfect World (10-minute version read for Seattle SWAN Day at ACT, Seattle, 2012)
- This is How We Met (produced at Theater Babylon, Seattle, 2003)
- The Yellow Wallpaper (Adaptation; produced in Mae West Fest, Seattle, 2004)
- The Better to See You
- Lilith in the Garden (included in Live Girls! Notorious Women, Seattle, 2004)
- Miss Alaska
- Bacon