Playwright

My work uses theatrical devices such as monologue, song, humor, greek choruses, and ghosts to tell familiar stories--especially women's stories--through an imaginative and truthful lens.  My goal for my plays are to conceive of a world that people want to live in and believe in enough that they are inspired to take action to make their own world better. 

Full-Length Plays

Production Photo of Me Vs My SubconsiousMe vs. My Subconscious at Key City Public Theatre
  • The Yellow Wallpaper, Blank Stage Theater, 2017
  • The Twelfth Story, Annex Theatre, 2016
  • Me vs. My Subconscious (Dreamcatcher Repertory Theatre [2020] Blank Stage Theater [2013]; sections performed at Key City Public Theatre [2011], Annex Theatre's Spin the Bottle, and Stone Soup Theatre [2012])
  • My Grandmother's Christian Funeral  (Reading at Freehold New Plays Festival, 2004)

Short Plays

  • Girl Anachronism (part of Cowgirls Splintered, Fractured, Broke at Fringe Month at the Pocket, 2016)
  • Introduction to Experiences (The Metronome Society's Self-Titled: a live (theatrical) mix tape), 2015)
  • In a Perfect World (10-minute version read for Seattle SWAN Day at ACT, Seattle, 2012)
  • This is How We Met (produced at Theater Babylon, Seattle, 2003)
  • The Yellow Wallpaper (Adaptation; produced in Mae West Fest, Seattle, 2004)
  • The Better to See You
  • Lilith in the Garden (included in Live Girls! Notorious Women, Seattle, 2004)
  • Miss Alaska
  • Bacon